Apollo 13 1995 ein Filmtitel mit Genre Drama, Historie, Neu Film Dvd in bester Qualität. Online-Streaming- Apollo 13 in High-Definition-Qualität. Neu Filme Online Apollo 13 in besten Blick Videoformat. Komplett Film Apollo 13 in hoher Qualität. Neu Film Amazon Apollo 13 in HD-Video.
Sie werden entdecken, dass eine komplette Beschreibung Apollo 13 unten:
- Originaltitel : Apollo 13
- Filmtitel in Ihrem Land : Apollo 13
- Jahr der Film : 1995
- Genres des Films : Drama, Historie,
- Status-Film : Released
- Veröffentlichungsdatum : 1995-06-30
- Die Unternehmen der Film : Imagine Entertainment, Universal Pictures, TF1 International,
- Länder Film : United States of America,
- Sprache des Films : English,
- Durasi Of film : 140 Min
- Stimme durchschnittlich : 7.4
- Youtube ID des Films : videokode
- Übersetzung von Film : translation
- Schauspieler des Films :Matthew Michael Goodall (Stephen Haise), Jules Bergman (Himself - ABC News (archive footage)), Thom Barry (Orderly), Ryan Holihan (SIM Tech), David Andrews (Pete Conrad), Reed Rudy (Roger Chaffee), Steve Rankin (Pad Rat), Steve Ruge (Edward White), John M. Mathews (Reporter), Patrick Mickler (RETRO Gold), Ivan Allen (Anchor), Todd Hallowell (Noisy Civilian), Endre Hules (Guenter Wendt), Andrew Lipschultz (Launch Director), Misty Dickinson (Margaret Haise), Tracy Reiner (Mary Haise), Roger Corman (Congressman), Karen Martin (Tracey), Herbert Jefferson Jr. (Reporter), Bruce Wright (Anchor), Maureen Hanley (Woman), Ben Bode (INCO Gold), Gabriel Jarret (GNC White), Andy Milder (GUIDO White), Kathleen Quinlan (Marilyn Lovell), Wayne Duvall (LEM Controller White), Miko Hughes (Jeffrey Lovell), Carl Gabriel Yorke (SIM Tech), Max Grodénchik (FIDO Gold), Michele Little (Jane Conrad), Mark McKeel (Suit Room Assistant), Mary Kate Schellhardt (Barbara Lovell), Joseph Culp (TELMU Gold), Kenneth White (Grumman Rep), Ray McKinnon (Jerry Bostick - FIDO White), Jack Conley (Science Reporter), Walter von Huene (Technician), Taylor Goodall (Fred Haise Jr.), Gary Sinise (Ken Mattingly), Julie Rowen (Reporter), Ned Vaughn (CAPCOM 2), Marc McClure (Glynn Lunney), Tom Hanks (Jim Lovell), John Wheeler (Reporter), Clint Howard (Sy Liebergot - EECOM White), Chris Ellis (Deke Slayton), Christopher John Fields (Booster White), John Dullaghan (Reporter), Max Elliott Slade (Jay Lovell), Googy Gress (RETRO White), Pope Paul VI (Himself (archive footage)), John Short (INCO White), Louisa Marie (Whiz Kid Mom), Steve Bernie (Virgil Grissom), Jeffrey Kluger (Science Reporter), Paul Mantee (Reporter), Lee Anne Matusek (Loud Reporter), Loren Dean (John Aaron - EECOM Arthur), Ed Harris (Gene Kranz), Austin O'Brien (Whiz Kid), Jim Meskimen (TELMU White), Jane Jenkins (Neighbor), Rance Howard (Reverend), Jon Bruno (Anchor), Thomas Crawford (Reporter), Geoffrey Blake (GUIDO Gold), Todd Louiso (FAO White), Bill Paxton (Fred Haise), Mark D. Newman (Loud Reporter), Jean Speegle Howard (Blanch Lovell), Joe Spano (NASA Director), Brett Cullen (CAPCOM 1), Ben Marley (John Young), Xander Berkeley (Henry Hurt), Frank Cavestani (Reporter), Jim Lovell (Captain of USS Iwo Jima), Arthur Senzy (SIM Tech), Kevin Bacon (Jack Swigert), Neil Armstrong (Himself (archive footage)), James Ritz (Ted), Meadow Williams (Kim), Christian Clemenson (Dr. Chuck), Tom Wood (EECOM Gold), Emily Ann Lloyd (Susan Lovell), Mark Wheeler (Neil Armstrong), Brian Markinson (Pad Rat), Patty Raya (Patty)
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Apollo 13 Methode, um zu bleiben film produziert von Imagine Entertainment, Universal Pictures, TF1 International, mit einem Beschreibung des Films "Weniger als ein Jahr ist vergangen, seitdem der Mensch zum ersten Mal den Mond betreten hat. Und was die amerikanische Bevölkerung angeht, so stellt die Apollo-13-Mission lediglich einen erneuten Routineflug dar – bis die Bodenkontrollstation folgende Worte aus der unendlichen Weite des Alls empfängt: „Houston, wir haben ein Problem“. 205.000 Meilen von der Erde entfernt kämpfen die Astronauten Jim Lovell, Fred Haise und Jack Swigert in einer funktionsuntüchtigen Raumkapsel verzweifelt um ihr Leben. Unterdessen nehmen in der Bodenkontrollstation der Astronaut Ken Mattingly und Flugkommandant Gene Kranz das Rennen gegen die Zeit auf, um die Astronauten zurück zur Erde zu bringen.". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Klangqualität und am besten mit Schauspielern.
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Construction Coordinator : David T. Cannon, Driver : Dan Brizendine, Digital Effects Producer : Amy Jupiter, Production Coordinator : Wendi Haas, Camera Loader : Trevor Loomis, Digital Compositor : Ethan Ormsby, Second Unit Director of Photography : Raymond Stella, Orchestrator : James Horner, Sound Assistant : Dana Gustafson, Makeup Artist : Hallie D'Amore, Screenplay : Al Reinert, Key Grip : Ron Cardarelli, Special Effects Assistant : Michael Wilmot, Special Effects Assistant : Kent D'Huet, Publicist : Andrew Lipschultz, Associate Producer : Michael Bostick, Key Hair Stylist : Kathryn Blondell, Special Effects Assistant : Paul Sabourin, Extras Casting : Ajay Dass, Production Coordinator : Virginia Dнaz, Art Department Coordinator : Angela O'Neill, Assistant Dialogue Editor : Yvette Nabel, Production Assistant : Jeffray C. Eagle, Chief Lighting Technician : Andy Ryan, Assistant Location Manager : Andrew L. Ullman, Camera Operator : David Norris, Visual Effects Coordinator : Chad Merriam, Still Photographer : Ron Batzdorff, Additional Second Assistant Camera : Chip Byrd, Special Sound Effects : Steve Lee, Sound Effects Editor : Elliott Koretz, Sound Recordist : Bob Olari, Electrician : Peter Eisner, Set Painter : Felisa Finn, Modeling : Bradford Plows, Digital Compositor : Laurie Resnick, Special Effects Assistant : Harold Selig, Sound Effects Editor : Eric Lindemann, Storyboard : Ricardo F. Delgado, Technical Advisor : Max L. Ary, Assistant Dialogue Editor : Lynn Sable, Technical Advisor : Jerry Bostick, Production Assistant : K. Marshall Smith, Visual Effects Design Consultant : James Cameron, Second Assistant Camera : Jolanda R. Wipfli, Special Effects Assistant : Jeffrey Machit, Dialogue Editor : Thomas A. Gulino, Set Dresser : John Maskovich, Production Assistant : Paul Swen, Driver : William Esparza, Thanks : Walter Cronkite, Dialogue Editor : Dan Sable, Digital Effects Supervisor : Mark A. Lasoff, Assistant Property Master : Bobby Amor, Driver : Rodney Lee Bennett, Rigging Gaffer : Mark Soucie, Grip : Michael D. Hightower, Foley Mixer : David Jobe, Grip : Troy Webb, Assistant Production Coordinator : Lila Yacoub, Painter : Dan Dorfer, Special Effects Assistant : Gary Zink, Camera Loader : John Hynes, Technical Advisor : Jim Lovell, Set Costumer : Mary Elizabeth Still, Negative Cutter : Gary Burritt, Special Sound Effects : Donald Flick, Second Unit Director : Todd Hallowell, Assistant Costume Designer : Marjorie McCown, Foley Editor : Matthew C. Beville, Construction Foreman : David A. Weinman, Leadman : Wayne Shepherd, First Assistant Camera : Scott Fuller, Second Second Assistant Director : William M. Connor, VFX Director of Photography : Erik Nash, Modeling : Gerald McClung, Special Effects Assistant : Larry L. Fuentes, Stunts : Heather Burton, Grip : Luke Halpin, Set Decoration : Merideth Boswell, Makeup Artist : Michael Lorenz, Set Dresser : Richard M. Jones, Second Assistant Camera : Stephen Sfetku, Special Effects Assistant : Jan Aaris, Assistant Editor : Guy Barresi, Script Supervisor : Eva Z. Cabrera, Digital Compositor : Jerry Hall, Modeling : Gordon Forkert, Foley Recordist : Don Givens, Production Assistant : Susan Jamison, Greensman : Jason Vanover, Camera Technician : Scott Johnson, Set Production Assistant : Eddee Kolos, Stunts : Joe Finnegan, Music Editor : Thomas S. Drescher, Electrician : Keith Orefice, Production Assistant : Kirk Douglas, Additional First Assistant Camera : J. Steven Latham, Special Effects Supervisor : John Palmer, Modeling : George Stevens, Best Boy Grip : Brian Marincic, Systems Administrators & Support : Matt Coohill, Technical Advisor : Dave Scott, Pilot : Michael Tamburro, Set Dresser : Chris Pascuzzo, Casting : Janet Hirshenson, Assistant Editor : Tim Silano, Production Controller : Kathleen McGill, ADR Editor : Harry Peck Bolles, Costumer : Joe McCloskey, Modeling : Brian Ripley, Pilot : Robert 'Bobby Z' Zajonc, Unit Publicist : Andrew Lipschultz, Costumer : Elaine Ramires, Dialogue Editor : Louis Cerborino, Best Boy Electric : Glenn E. Moran, Production Coordinator : Brooke Rand McDonald, Chief Lighting Technician : Joseph J. Orefice, Unit Production Manager : Carl Clifford, Driver : Joseph Sullivan, Supervising Music Editor : Jim Henrikson, Actor's Assistant : Terry Odem, First Assistant Camera : Scott Smith, Assistant Accountant : Rosario Aguirre, Digital Compositor : Pablo Helman, Visual Effects Supervisor : Robert Legato, Modeling : Greg Bryant, Electrician : Gary Ware, Hairstylist : Audrey L. Anzures, Costumer : Danna Edwards, Greensman : Anthony Vitagliano, Assistant Editor : Richard Friedlander, Assistant Chief Lighting Technician : O'Shana Walker, Driver : James E. Vargas, Modeling : Sabine Meyer zu Recendorf, Digital Compositor : Jammie Friday, Sound Effects Editor : Warren Hamilton Jr., ADR Mixer : Paul J. Zydel, Grip : Steve Graves, Visual Effects : Shoshana Abrass, Screenplay : William Broyles Jr., Set Production Assistant : Colin Hanks, Utility Sound : Kevin E. Patterson, Production Assistant : Michael McDevitt, Art Department Assistant : Joshua A. Sipe, Sound Effects Editor : Richard L. Anderson, Boom Operator : Bill J. DiDonna, ADR Voice Casting : Lynne Redding, Special Effects Assistant : Rich E. Cordobes, Modelling Supervisor : Patrick McClung, Set Dressing Artist : Larry A. Cornick, Set Production Assistant : Matt Rebenkoff, ADR Recordist : Ann Hadsell, Assistant Accountant : Hope Shaw, Actor's Assistant : Erik Bork, Key Grip : Jeff 'Moose' Howery, Storyboard Artist : Eric Ramsey, Special Effects Assistant : Rocky Severy, Playback Singer : Annie Lennox, Special Effects Assistant : Tony Centonze, Grip : Marty Dobkousky, First Assistant Editor : Roger Tweten, Boom Operator : Craig Woods, Rigging Grip : Gary Brostrom, Sound Re-Recording Mixer : Rick Dior, Modeling : Michael Possert Jr., Digital Effects Producer : Mark Lohff, Machinist : John Lisman, Set Dresser : Greg Wilkinson, Stunts : Kim Robert Koscki, Production Coordinator : Kelly L'Estrange, Production Assistant : Misty Conn, Special Sound Effects : John Pospisil, Production Assistant : Lars Sloan, Sound Assistant : Linda Yeaney, Casting Associate : Susanna Griffith, Chief Lighting Technician : Michael Orefice, Camera Operator : Josh Bleibtreu, Modeling : Eugene P. Rizzardi, Modeling : John Ferrari, Supervising Sound Editor : Stephen Hunter Flick, First Assistant Director : Bruce Moriarty, Hairstylist : Joy Zapata, Production Assistant : Dennis Clay, Technical Advisor : Gerry Griffin, Grip : Jimmy Giacona, Modeling : Felix Ojeda, Grip : Ron Peebles, Special Effects Assistant : Manuel S. Epstein, Driver : Paulie DiCocco, Casting : Jane Jenkins, Sound Effects Editor : Patricio A. Libenson, Electrician : Dennis Hus, Grip : Bryan Ashford, Production Supervisor : Michelle Morrissey, Set Production Assistant : Dylan K. Massin, Craft Service : Beverly Burton, Electrician : Ben O. Graham, Special Effects Assistant : Steve Luport, Set Designer : Joseph Hodges, Assistant Editor : Carolyn Calvert, Set Production Assistant : Laurel Robinson, Set Costumer : Bob Moore Jr., Color Timer : William Pine, Stunt Coordinator : James M. Halty, Novel : Jeffrey Kluger, Seamstress : Carmen Mazarow, Executive Music Producer : Brian Grazer, Sound Re-Recording Mixer : Scott Millan, Digital Compositor : Martine Tomczyk, Best Boy Electric : Rick Petretti, Associate Producer : Aldric La'Auli Porter, Assistant Property Master : James Robinson II, First Assistant Camera : Christopher Duskin, Production Coordinator : Lisa J. Watters, Grip : Kevin Edwards, Sound Re-Recording Mixer : Steve Pederson, Production Design : Michael Corenblith, Scoring Mixer : Shawn Murphy, Production Assistant : Michael Barson, First Assistant "B" Camera : Larry D. Davis, Electrician : Darren Langer, Foley Editor : Frank Smathers, Special Effects Assistant : William Centonze, Second Assistant Director : Jane Paul, Transportation Coordinator : Joel Marrow, Production Assistant : Chris Clifton, Second Assistant Director : Susan Pickett, Costume Design : Rita Ryack, Greensman : William Matzner, Hairstylist : Carolyn Elias, Stunts : Vincent Mazella Jr., Special Effects Assistant : Lucinda Strub, Executive Producer : Todd Hallowell, Stunts : John Robotham, Production Assistant : Alfred Cervantes, Location Assistant : Matthew Pook, Production Controller : Kieran Woo, Set Dresser : Scott G. Jones, Propmaker : Matthew Martin, Dolly Grip : Dave Wachtman, Art Direction : Bruce Alan Miller, Dialogue Editor : Bitty O'Sullivan-Smith, Boom Operator : Steve Bowerman, Sound Mixer : Geoffrey Patterson, ADR Editor : Stuart Stanley, Supervising Dialogue Editor : Anthony J. Ciccolini III, Executive Music Producer : Ron Howard, Electrician : Atillio Orefice, Special Effects Assistant : Donald Krause, Stunt Coordinator : Mickey Gilbert, Property Master : Steven M. Levine, Sound Mixer : David MacMillan, Editor : Daniel P. Hanley, Sound Effects Editor : Dean Beville, Key Makeup Artist : Daniel C. Striepeke, Special Effects Assistant : Bruce Y. Kuroyama, Orchestrator : Steven Bramson, First Assistant Accountant : Kathryn Mindala, Digital Effects Supervisor : Karen E. Goulekas, Transportation Captain : Randy Cantor, Assistant Chief Lighting Technician : Keith Roverud, First Assistant Camera : Clyde E. Bryan, Set Designer : Lori Rowbotham, Assistant Chief Lighting Technician : Jim Fine, Sound Re-Recording Mixer : Bob Chefalas, Assistant Accountant : Keri Weisblum, Driver : Gavin Grazer, Assistant Camera : David S. Campbell, Driver : Johnny Bartlet, Visual Effects Assistant Editor : Tommy Dorsett, Key Grip : Steven Cardarelli, Production Assistant : Jimmy Lindsey, Digital Effects Supervisor : John McLaughlin, Assistant Chief Lighting Technician : Steve Chandler, Art Direction : David J. Bomba, First Assistant Director : Aldric La'Auli Porter, Rigging Grip : Randy Troyanek, Sound Re-Recording Mixer : Ezra Dweck, Visual Effects Producer : Jenny Fulle, Camera Operator : Raymond Stella, Special Effects Assistant : R. Michael Bisetti, Costumer : Leslie Weir, Makeup Artist : Larry Abbott, Special Effects Coordinator : Matt Sweeney, Visual Effects Assistant Editor : Josh Margolies, Assistant Editor : Glenn Allen, ADR Mixer : Dean Drabin, Driver : Bud Lacy, Grip : Eugene Siegmund, ADR Recordist : Douglas Murray, Digital Compositors : Feliciano di Giorgio, Producer : Brian Grazer, Video Assist Operator : Roger C. Johnson, Sound Mixer : John Sutton, Special Effects Assistant : Fred Tessaro, Set Medic : David O. Krupnick, Hairstylist : Hazel Catmull, Location Manager : Ned R. Shapiro, Technical Advisor : Jeffrey Kluger, Director of Photography : Dean Cundey, Systems Administrators & Support : Shoshana Abrass, Set Production Assistant : Jonathan McGarry, Set Production Assistant : Stephanie Axe, General Manager : Scott Ross, Director : Ron Howard, Associate Producer : Louisa Velis, Assistant Camera : Michole Bergstrom, Camera Operator : Casey Hotchkiss, Assistant Accountant : Susan Giordano, Novel : Jim Lovell, Editor : Mike Hill, Set Dresser : Edward J. McCarthy, Script Supervisor : Janna Stern, Steadicam Operator : Glenn DiVincenzo, Pilot : Alan D. Purwin, Studio Teachers : Elise Ganz, Location Assistant : Anthony J. Saenz, Gaffer : Tony Anderson, Visual Effects Editor : Debra Wolff, Project Manager : Stephen Sobisky, Special Effects Assistant : James M. Hart, Original Music Composer : James Horner, Supervising ADR Editor : Lisa J. Levine, Costume Supervisor : Dan Bronson, Digital Compositor : Bryan Grill
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